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The press tour for The Devil Wears Prada 2 is already delivering what the film promises—fashion as narrative, power, and spectacle.
Meryl Streep and Anne Hathaway are moving through a global circuit of red carpets, each appearance sharpening anticipation ahead of the release. Nearly two decades after the original, the story returns within a changed media landscape. Miranda Priestly now navigates the decline of traditional publishing, while facing Emily Charlton, who operates from within a luxury group controlling the advertising budgets Priestly needs.
The tour opened in Mexico City, where Streep stepped out in a red Dolce & Gabbana suit, and Hathaway chose a fringed Schiaparelli dress. In Tokyo, the visual direction continued with precision: Streep in Chanel under Matthieu Blazy’s direction, Hathaway in Valentino couture from the Spring 2026 collection.
The pace is only beginning to build. The coming weeks are set to position the press tour as a sustained fashion moment rather than a promotional cycle.
Streep’s stylist, Micaela Erlanger, is approaching it with the scale of a Met Gala season. After 11 years of collaboration, more than 30 looks are planned across cities. As Erlanger notes, this will be Streep’s most fashion-focused run.
Within the same framework, Hathaway’s stylist Erin Walsh introduces a contrasting direction—less controlled, more fluid, and decisively bolder.
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